万物互联，众生孤独

未来人类的根本困境是感性贫困、身心分离。

面对数智技术带来生命伦理的“非人或新人”新命题，

设计何以为“人”，又何以安顿“身心”？

 

教义渐老，世界日新

后疫情时代全球化危机加剧未来的不确定性。

面对危机变革之下传统知识教育体系的钝化与失能，

设计何以为“新”，又何以重塑“发展”？

 

穷源尽流，行向何方

互联网“大航海“时代，催生新的创造性和生产性力量。

面对未来富有意义的可能世界的建构，

设计何以为“用”，又何以超越“实践”？

 

Every thing is connected, and all beings are solitude.

The fundamental dilemma of the future is the poverty of the senses and the separation of mind and body. 

With digital intelligent technologies, a new proposition of ‘inhuman or new human" in an ethics sense emerges. How to design for ‘human’ and how to relocate the ‘mind and body’?

 

Doctrine is getting old, and the world is getting new.

The crisis of globalization in the post-epidemic era has increased the uncertainty of the future. 

With the insufficiency of traditional knowledge and education systems in such a changing context,

how would design being 'new' and how would design reshaping the concept of ‘development’?

 

Where to go when running out of sources?

The ‘great voyage’ of the Internet facilitates new creative and productive forces. 

In order to construct a meaningful future，

how would design be ‘implemented’ and how would it go beyond ‘practice’ ? 

 

 

 

回望传统，无处不在的全球网络将不同地区的文化与时空差异打破，人类活动超越了民族和地域的局限和障碍，面临文化全球化与本土化的内在逻辑辨析。与此而来的是面对消费狂欢后的精神空虚，催生出人们对“传统”回望的幽思。人文危机之下，如何重新唤醒传统优秀文化的内在生命力，突破单纯的人与技术经验的维度，让传统保留生活温度，重新回归与发明日常，在数字化生态的基础上建构新的文化生态与创新系统。新时代“文艺复兴”的探索正在发生中。

 

直面当下，科技革命和产业变革为我们带来无数的新兴事物，数字、智能和网络正在形成决定未来的力量。在智能制造图景中，数智化设计将用户需求转化为供应链和智慧工厂的指令集，融入感知、决策、设计、执行、服务等产品全生命系统，实现用户大数据和大规模定制的超级对接和价值转化，成为智能制造的重要引擎和驱动力。我们过去所创造的一切、所秉承的思想、所驾驭的创新方法和工具都面临着重新设计和建构，这是一场反思、进化和追求美好的全新旅程。

 

前瞻未来，元宇宙在扩展现实、区块链、云计算、数字孪生等新技术下，将网络、硬件终端和用户囊括的一个永续的、广覆盖的虚拟与现实混合的世界系统，充斥着新世界的沉浸与创造。今天当我们刚刚感受到大数据、人工智能带来的便利，明天或许就要面对“庄周梦蝶”真假难分的未来世界。类脑智能，量子计算、脑机接口、可控核聚变……一场速度最快、规模空前的变革和迁徙已经开启。

 

如是，设计作为人类认识世界、改造世界的思维与实践方式与人类文明共生共荣，成为人类生活在地球上发展出如今多元并存的文化图景的重要推动方式，也让我们更有力量地面对世界。

 

 

 

设计是关注被关注的

我们借学问研究学问

共同探索设计的设计

 

 

 

 

面对当前所处在的生存环境及人类社会的发展所面临的种种挑战，无论是来自精神还是物质世界内所遭遇的困境，设计应真正关照人的生存、健康与发展，在一个日益智能化、自动化、虚拟化的社会里保持感性活力和精神自主，建构一种持续生态化、深度人文化、高度智能化的“数智社会”新发展格局，开启万物互联时代的智慧生活。

 

同时，技术的迭代、学习的革命以及后疫情时代的“全球化—逆全球化”格局，改变了人们对生产和消费的理解，更改变了我们对物质与精神体认和对未来的想象。新世纪的“意境”已初露端倪，每个人都面临极具颠覆性的技术革命，并且切身参与这一系列的认知变革。面对日新月异、错综复杂的未来世界，我们作为教育者也要思考，设计教育是否要告别已经习以为常的观念与形态，用最新的科学技术创造出最新的现实，继而开发出新的感性、新的身心经验，开辟全新的精神视野。

 

 

 

今天，我们不妨借用“元”，

这一关于学问的学问，

研究科学之科学。

 

在2020“重启”之后，

2021从“元”开始，

共同探索如何设计“设计”。

 

Today, we might use ‘meta’— the study of studying, 

and the research science of science.

 

After the ‘re-’ for 2020, 2021 started with ‘meta’, to exploring how to design ‘design’.

 

-向左滑动

 

 

近些年来，中国美术学院设计艺术学院在设计教育以及教学改革中，一直强调设计要关注社会问题、前沿趋势和科技进步带来的现实问题，从过去追求形式美学到回应新时期社会发展的紧迫议题。重新解释人与人之间的沟通关系，人和周围环境的感知关系、人和媒介的交互关系，激发设计在对新媒介、新领域的知识体系建设，通过主动设计开启改变社会的意识。这种对当下危机的研究和未来世界的思索将是我们当前和未来持续进行的研究课题。

 

本届2021中国美术学院设计艺术周，有来自不同国家、地区和专业背景的学者们和我们进行线上与线下对话，相信会形成生动的思想碰撞。让我们共同探讨：如何真正地进入新时代的意境之中，在新的人类现场，勇敢地完成设计系统的迭代，重建新时代的有为之学。

 

 

Looking back the tradition, global network has merged the cultural and temporal differences across regions, and human activities have far more beyond the national and regional limitations and barriers, challenging the inner logic of cultural globalization and localization. In the spiritual nihilism that follows the consumerism, we have been led back to the ‘tradition’. In the midst of the humanistic crisis, how to re-evoke the inner vitality of traditional culture, breaking through the dimension of human and technological experience, keeping the tradition alive, re-inventing the everyday life, and constructing a new cultural ecology and innovation system on the basis of digital ecology. The exploration of a new era of ‘Renaissance’ is now emerging.

 

Apparently, the technological and industrial revolution has brought us countless new things, and digital, intelligence and networks are forming the forces that will determine the future. In the smart manufacturing scape, digital design transforms user needs into sets of instructions for supply chains and smart factories, and integrating senses, decision-making, design, implementation and service into a product eco system, consolidating the user big data and large-scale customization into value transformation, and becoming an important engine and driver of smart manufacturing. What we created, what we thought, and what we mastered the innovative methods and tools are all needed to redesign, reconstruction, and reflection on a new journey.

 

Forward-looking to the metaverse is exploring the Extended Reality , blockchain, cloud computing, and Digital Twin. It merges the network, hardware and users into a perpetual, wide-coverage hybrid virtual and real world system. Today we have recognized the convenience of big data and artificial intelligence, tomorrow we may have to face a world that is as indistinguishable from the real and the fake as Zhuangzi’s dream of a butterfly. Brain-like intelligence, quantum computing, brain-computer interfaces, controlled fusion ...... a fastest and unprecedented scale of change and migration has already begun.

 

In this way, design, as a way of thinking and practicing that enables humans to understand and transform the world, has become an important driving force in the development of the diverse cultural landscape in where we live, and has given us the strength to confront the world.

 

 

 

 

As design concerns what to be concerned, 

we are researching knowledge by knowledge, 

and exploring design of designing.

 

 

 

For the challenges of the current living environment and the development of human society, regardless the spiritual and material worlds, design should be truly concerned with the survival, health and development of people, maintaining sensual vitality and spiritual autonomy in an increasingly intelligent, automated and virtualized society, building a new development pattern of a ‘digital society’ that is continuously ecological, humanity and intelligent, and opening up a smart life in the era of the Internet of everything.

 

At the same time, the iteration of technology, the revolution in learning and the post-epidemic era of ‘globalization and counter-globalization’ have changed our understanding of production and consumption, as well as our material and spiritual perceptions and imagination of the future. The 'landscape' of the new century has emerged; everyone is encountering a technological revolution and participating in this cognitive changes. To this ever-changing and complex world of the future, as educators, we must think about whether design education should leave behind the used ideas and forms, we must apply the latest science and technology to the latest realities, thereby developing new sensibilities, new physical and mental experiences, and starting a new spiritual horizon.

 

Today, we might use ‘meta’— the study of studying, and the research science of science.

After the ‘re-’ for 2020, 2021 started with ‘meta’, to exploring how to design ‘design’.

 

In the recent years, in a process of design pedagogy reforms, the School of Design CAA has emphasized that design should focus on social, cutting-edge trends and practical issues in the technological progress, from pursuing formal aesthetics in the past to responding to the urgency of social development. Reinterpreting the communication between people, the perceptual relationship between people and the environment, and the interaction between people and media. It inspires the construction of the knowledge system of new media and new fields in design, and initiates the consciousness of changing society through active design. This kind of research on the current crisis and thinking about the future world will be our ongoing research topic for the future.

 

CAA Design Week 2021 therefore invites researchers from different countries, regions and professional backgrounds, conducting online and offline dialogues, which is believed to exchange new ideas. Let us discuss how to immerse the context of a new era, bravely confronting the iteration of design systems in a new human scape, and reconstructing the science of promising in a new era.

 

 

系列论坛：

 

◎ “D-Future: 对话未来”——国际设计双年展主席论坛

时间：2021年11月21日9：30 - 13：30

地点：中国美术学院象山校区民艺博物馆多功能会议室

 

◎ 策略与共通——染织教育在智能科技、艺术、商业跨界融合中的可持续发展

时间：2021年11月24日13:30 - 17:30

地点：中国美术学院象山校区设计艺术学院18号楼313

 

◎ 无限共创——产、创、研融合设计论坛

时间：2021年11月25日9：00 - 17：00

地点：中国美术学院象山校区设计艺术学院18号楼313

 

◎ 转象——跨界·综合：第八届设计教育高峰论坛

时间：2021年11月25日13：30 - 17：00

地点：中国美术学院象山校区设计艺术学院18号楼306

 

◎ 实践的设计批评论坛

时间：2021年11月25日8:30 - 17:00

地点：中国美术学院象山校区设计艺术学院18号楼311

 

◎ 碰撞·交融——面向未知的设计青年论坛

时间：2021年11月23日9：00 - 16：30

地点：中国美术学院象山校区设计艺术学院18号楼306

 

 

系列展览：

 

◎ 2021中国国际海报双年展

时间：2021.11.23 - 2022.1.3

地点：天目里游牧画廊

◎ 20世纪海报图景——课程研究现场

时间：2021.11.21 - 12.21

地点：中国美术学院象山校区设计艺术学院18号楼201及教学廊道

◎ 感知·生活: 一生一本社会实践课程成果展

时间：2021.11.22 - 11.28

地点：中国美术学院象山校区设计艺术学院18.5号楼